Worldfocus: Turkey’s Kurds seek justice for unsolved murders



December 15, 2009 19:50 
Signature story
Worldfocus

USA

Turkey’s longstanding conflict between ethnic Kurdish minority and the Turkish government flared this weekend after demonstrations erupted when the high court outlawed the main Kurdish political party. The Kurds see themselves as an oppressed minority, while the Turkish government sees them as dangerous separatists.

Correspondent Gizem Yarbil and producer Bryan Myers recently traveled to the Kurdish enclave of Diyarbakir in eastern Turkey for a closer look at the allegations that the Turkish government had engaged in a so-called “dirty war” against the Kurds.

Photos and interview of Abdulkadir Aygan is courtesy of Hakan Akçura of the blog Open Flux.

Ruling threatens reconciliation between Turks and Kurds


Gizem Yarbil

Gizem Yarbil is a producer at Worldfocus and recently reported, along with Bryan Myers, the Worldfocus signature video Turkey’s Kurds Seek Justice for Unsolved Murders. Gizem grew up in Turkey and writes of her experiences covering the story of Kurdish grievances, which remain a polarizing political issue in Turkey.

It was a blistering morning in early June and we were driving in the southeast of Turkey. Worldfocus producer Bryan Myers and I were traveling to Diyarbakir for a story about the Kurds and the latest developments in their often tragic plight. We had already shot and produced two stories around Turkey, but this one was especially important for me. Surrounded by golden fields that were illuminated by the scorching southeast sun, I was traveling to a region, which, up until a few years ago, was a no-go area in my country.

The southeast of Turkey is a predominantly Kurdish region, which has witnessed a three-decade long armed ethnic conflict between the Turkish military and Kurdish separatists. The separatists have been fighting for the region’s independence from Turkey since the early 1980s, although now they claim they would accept basic cultural and political rights. According to many sources, the conflict has claimed more than 30,000 lives, most of them Kurds.

I didn’t know what to expect from the trip in Diyarbakir, the main city in the Turkish southeast and the capital of Kurdish political and cultural life. I had heard stories about journalists who had had their tapes confiscated and erased, and been subject to aggressive behavior from the Turkish police. The local journalist who accompanied us said that the situation was slightly improved from the time when the conflict was at its most intense a decade ago, but he also warned that filming police, military personnel and official buildings was out of the question.
When I was growing up, everything I heard from Diyarbakir involved death and tragedy. Turkish media has covered the conflict extensively through the years, but generally only from the Turkish military’s point of view. Visuals of crying mothers of dead soldiers, coffins and military funerals on the evening news often accompanied our family dinners. But I don’t remember ever seeing a crying Kurdish mother or anything about the other side of the story on the news. For many of us, Kurds were the enemy, the “Other” that existed to destroy the Turkish people and the nation.

But, later in life, as I dug deeper into the subject (and especially during our trip to the region) everything was very different from what I’d been told growing up in Turkey.

The story we’ve produced in Diyarbakir is about two men, whose family members went missing in the 90s, during the height of the conflict. They long suspected that their loved ones have been kidnapped and murdered by a secret paramilitary group that is directly connected to the State security forces.

A former member of the paramilitary group, who now lives in Sweden, came out a few years ago and confessed to taking part in some of these kidnappings and murders. Now, he is leading state authorities to find the sites that may hold the remains of some people who went missing in the 90s. So far several sites have been excavated and hundreds of bones have been dug up and sent for DNA testing.

These developments would have been a quixotic dream for many Kurds only ten years ago. But now things are changing. Several government and military officials have been arrested and put on trial in connection with human rights violations in the region among other crimes.
These positive developments certainly had an impact on the people of the region. Before we left, we went to eat at a beautiful restaurant with a view of an ancient bridge just outside of Diyarbakir. As we were admiring the view, our driver pointed to the landscape spreading out before us and whispered into my ear. “A lot of bodies used to be dumped around here,” he said. When I asked him how Diyarbakir was nowadays, and how people were feeling, the waiter serving our table immediately jumped in, “Everything is great in Diyarbakir. Everything is perfect!” he exclaimed.

To my eyes, there was a more peaceful atmosphere, and people seemed to feel more hopeful and more secure. There was more investment in the area, especially in tourism. I even heard Hilton was planning to build a hotel very soon.
But that was several months ago. Recent developments have stirred up the region once again, reminding us of the turbulent days of the 1990s. After a top Turkish court banned the main Kurdish political party from parliament, violent clashes between frustrated Kurds and the Turkish police erupted across the southeast including in Diyarbakir.
This move by the judiciary will undoubtedly stall the reform process the leading political party initiated. Without more concrete steps to make peace with the Kurdish minority, tranquility will continue to elude the region.



Gerçekler bilinsin yeter / It is enough that the truth comes out
(Üç ayrı kimliğiyle Abdülkadir Aygan’ın ya da Türkiye’nin karanlık 22 yılının portresi)
Hakan Akçura / 210.35 dakika
Stockholm, Haziran 2008


Abdulkadir Aygan was one of the PKK (Workers Party of Kurdistan) guerrillas, between 1977 and 1985 in Turkey. He was a kontr-guerilla working in Turkish Armies special gladio team called JITEM between 1991 and 1999 too. This recording include all his confessions from this 22 years. Aygan is now a refugee in Sweden and living with his family under the Swedish Secret Police security. Hakan Akcura found and conviced him for this long interview and talked with Aygans three identities when he was sitting on three different chairs with three different clothes, facing three different angles.

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About omosis

Selected exhibitions, activities: 2013 Artist presentation: "Being in Sweden, being an immigrant, being an artist", Adaevi, Museum of the Princes' Islands, İstanbul, Turkey "Yersiz: Kader Birliği", Mardin, Kızıltepe, Turkey “Ja jag vill leva jag vill dö”, Tegen 2, Stockholm "Vilken tur! Himlen omfamnar oss!" / "What luck! The sky embraces us!" / "Ne şans! Gökyüzü hepimizi sarıyor!" Photography Exhibition, Ideas and Innovation Fair, Stockholm "Milat" Exhibition for Hrant, Getronagan Lisesi'nden Yetişenler Derneği, Harbiye / Rumeli Han C blok 6.Kat - Beyoğlu, İstanbul 2012 Migration Connections Project 2012 Exhibition, Museum of the Princes' Islands, İstanbul, Turkey Edinburgh Middle Eastern Film Festival, Filmhouse, Edinburgh, Scotland, UK Artist Talking and Screening, Agent Ria, Still Gallery, Edinburgh, Scotland, UK 2011 Ars retorica, Hall the university library of Paris 8 – Saint Denis, France The Exhibition on the 20th Anniversary of the Human Rights Foundation of Turkey: Where Fire Has Struck, DEPO Istanbul, Turkey 2010 PAI 2010-2011 in Thebes, Conference Center of Thebes, Greece International Media Arts Festival Videfesta’10: Archive Fever, Goethe Institute, Ankara, Turkey Temps D'Images Portugal 2010 Festival Film Award for Films on Art section "From childhood to police station" Exhibition, Free Expantion Platform, Istanbul, Turkey HEP Iran screening, Sazmanab Project, Tehran, Iran AthensArt 2010 contemporary art exhibition, Athens, Greece PAI 2010 contemporary art exhibition, Samothrace, Greece "Thistles of Sazak" screening and exhibition, 7th Karaburun Festival, Izmir, Turkey Distance Festival, London, UK "Artist Cinema", Art Beijing, China Over trubled water, Tegen 2, Stockholm, Sweden Ankara International Film Festival, "Video: Spaces of Memory", Ankara, Turkey Direct Channell, Canakkale' Turkey !F Istanbul Film Festival 2010 online program: See it yourself (This village)' Istanbul, Turkey HEP Screening, AFA Beijing, China Tornavideo, Tamirhane, Ankara, Turkey 2009 “Projected Visions: 35 years of Turkish video art” exhibition Meeting Europe - Istanbul, Wacken Exhibition Centre, Strasbourg, France HEP (Human Emotion Project) Screening, AFA @ Portuguese Bookshop Gallery, Macau, China co-exhibition "Dirty Story", BM Suma, Istanbul, Turkey HEP (Human Emotion Project) Screening, Caldas-da-Rainha, Portugal HEP Screening, Berlin, Germany "Thistles of Sazak", art performance, Karaburun, Izmir, Turkey "Istanbul-Off-Spaces" co-exhibition, Kunstraum Kreuzberg/Bethanien, Berlin, Germany co-exhibition "Interzone:Nation", Gallery Galzenica, Zagreb, Croatia HEP Screening, LaSala in Cigunuela, Spain HEP screening, Melbourne, Australia "Varning för klämrisk", Solo Exhibition, Tegen 2, Stockholm, Sweden to Ankara International Film Festival, Ankara, Turkey 2008 1st Int. Roaming Biennial of Tehran, Berlin, Germany "Hög på Golvet" group exhibition at Tegen 2, Stockholm, Sweden 1st Int. Roaming Biennial of Tehran, Istanbul, Turkey International Mail Art Project 2008, Conceptual Continuity Supermarket 2008 Art Fair with Tegen 2, Stockholm, Sweden 2007 "Fear of god" co-exhibition, Hafriyat Karakoy, Istanbul, Turkey "Bodrum Film Festival", Bodrum, Mugla, Turkey "Jag, min husses hund" group exhibition, Tegen 2, Stockholm, Sweden "Nightcomers" project in the 10th Biennial of Istanbul, Istanbul, Turkey Scope NYC [PAM], Scope Art Fair, Lincoln Center, New York, USA 2006 co-exhibition "Labyrint" in Botkyrka Konsthall, Stockholm, Sweden Artist's "Sann dialog" ("Real dialogue") contemporary art activity has been started. Stockholm, Sweden Artist sent his videoperformance named as "Öppet brev till Migrationsverket" to Migrationsverket ("Open letter to Sweden Migration Board") 51', Stockholm, Sweden 2004 Artist given his art-object named as "För uppehållsstillstånd" to Migrationsverket ("For residence permission"), Istanbul, Turkey co-exhibition "Bridge from east to west", BBK Karlsruhe, Germany 2003 co-exhibition of AIAP "Hal/iç" with work name the "Difficult sleep". Kadir Has University, Istanbul, Turkey 2002 co-exhibition "Arts Plastiques" in METU Spring Festival at METU Congre Center, Ankara, Turkey co-exhibition "A travel into life" at Kargart, Istanbul, Turkey 2001 "Sometimes when I'm high, I watch TV", video performance screening, Dulcinea, Istanbul, Turkey Artist's "Solitudo" contemporary art activity has been started. A solo contemporary art exhibition with 210 participants: I want my mirrors. Dulcinea Istanbul, Turkey 2000 co-exhibition "Veritas Omnia Vincit", Istanbul, Turkey Artist's "I want my mirrors" contemporary art activity has been started, Istanbul, Turkey 1999 "2th Interbalcanic Symposium of Visual Arts" and co-exhibition, Samotrache/Greece 1998 "...self", solo exhibition. Dulcinea, Istanbul, Turkey co-exhibition "The Other", Istanbul, Turkey 1996 "Citypaintings", solo exhibition. Habitat II/NGO Forum '96 art activities, Istanbul, Turkey Publication of book of poems: "Limpin Bird" (Aksak Kus) (168 page, 81 poem, 81 picture), Istanbul, Turkey 1995 Fourth Biennial of Istanbul, Istanbul, Turkey co-exhibition "Young Activity/Borders and Beyong", Istanbul, Turkey 1991 Short film maker and director, ("Everything is as it is", 24', 16 mm. Included in TRT's "Young Cinematographers" programme), Istanbul, Turkey

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